Source
Litherland & Mørch (2021), LIT-1037, read in full in NOTE-733. What the case study showed for the 2017 Mona Lisa is THEORY-218, which this entry extends.
The claim
The paper proposes a three-level framework in which a visual artifact, the image, and a social artifact, the forum, evolve together. “The decision of what to add or replace was (for the most part) made at the group interaction (meaning) level, whereas actions were carried out on the user action level.” Design images linked in the forum carry the decisions; central members “had the power to allow and/or stop suggestions from being acted” on; whether an addition is vandalism or part of the image is “a tradeoff to be negotiated”. And the authors argue generally that “quantitative methods cannot identify whether the visual images were the result of collaboration or conflict”, so that “community affiliation cannot be identified with quantitative measures alone”. They point to similar negotiated composites elsewhere on the canvas (Fig. 4).
The evidence is one artwork. About 77,000 accounts placed tiles in its region and the forum had 161, most placers never posted, and how many followed the designs was not measured: “the causal relationship between WAD or power and user action remains unclear”. THEORY-218 holds that case.
What would settle it
The promote_when, which QUESTION-306 also asks: a study across many artworks of one canvas, pairing the placement log with time-stamped coordination records, showing design revisions leading placements, a small identifiable core making or approving them, and placements a behaviour-only method would misassign. More excerpts from single artworks cannot settle it.