Judy Cameron, Katherine M. Banko and W. David Pierce (2001), The Behavior Analyst 24(1):1–44 — DOI-10.1007/BF03392017
Key takeaways
From the reading, NOTE-587.
- The core effect is not in dispute. On interesting tasks, expected tangible rewards offered for doing the task lowered later free choice: K = 57, −0.35 before outliers, still negative after them (pp. 16–17). Deci, Koestner and Ryan (LIT-557) found −0.40 for the same contingency.
- Coding decides the rest. Re-coded into seven procedural categories (Table 1, p. 12), CET’s performance-contingent category splits. Rewards for doing well and per unit solved undermine free choice. Rewards for surpassing a score do not. Rewards for exceeding others enhance it (pp. 16–18, Figure 2).
- Per-unit undermining tracks earning less than the maximum: −0.22 (K = 14) against −0.03 (K = 6) when everyone earned it in full. The authors read this as failure feedback or time pressure (pp. 19–20, 23).
- Low-interest tasks: rewards raised free choice, 0.28 (K = 12). This is outside Deci et al.’s scope (p. 15).
- Small either way: about −0.30 for rewards for doing or doing well, roughly 47 seconds of an 8-minute free period (pp. 24–25).
Standing in the record
Filed at the owner’s request as the rejoinder to Deci, Koestner and Ryan
(LIT-557) in the dispute over whether rewards undermine intrinsic
motivation, and read on the owner’s instruction. It is compared_against
that paper: it re-analyses the same literature, merges the two databases
and sets its results beside Deci et al.’s contingency by contingency
(Figures 2 and 4). It restates and keeps the conclusion of the authors’ own
1994 analysis (LIT-556), which stays unread. That relation is left
undeclared.
It is the source of THEORY-154, the account that the tightness of a reward’s stated contingency decides its effect, which rivals cognitive evaluation theory (THEORY-049). It is also the second source of THEORY-046, the undermining effect on which both sides agree.
No instruction for machine-learning practice; nothing here belongs in the anthology.